I think that all over the world the name of AESOP is known for his small tales of help and commitment so here are a couple that I have a feeling I have heard in Japanese, well very similar ones. xxx...
The Milkmaid and her Pot of Milk
By Aesop
A MAID was carrying her pail of milk to the farm-house, when she fell a-musing. The
money for which this milk will be sold, will buy at least three hundred
eggs. The eggs, allowing for all mishaps, will produce two hundred and
fifty chickens. The chickens will become ready for the market when
poultry will fetch the highest price; so that by the end of the year, I
shall have money enough to buy a new gown. In this dress I will go to
the Christmas junketings, when all the young fellows will propose to
me, but I will toss my head, and refuse them every one.
At this moment she tossed her head in unison with her thoughts, when
down fell the milk-pot to the ground, and broke into a hundred pieces,
and all her fine schemes perished in a moment.
Moral: Count not your chickens before they are hatched.
The Swan and the Goose
By Aesop
A CERTAIN RICH MAN bought in the market a Goose and a Swan. He fed
the one for his table and kept the other for the sake of its song. When
the time came for killing the Goose, the cook went to take him at
night, when it was dark, and he was not able to distinguish one bird
from the other, and he caught the Swan instead of the Goose. The Swan,
threatened with death, burst forth into song and thus made himself
known by his voice, and preserved his life by his melody.
Moral: Sweet words may deliver us from peril, when harsh words would fail.
Korean
pop group Super Junior’s member Kang-in, who was indicted for a bar brawl last
month, is in trouble again… a bigger trouble in fact.
He was booked for fleeing the scene after causing a traffic accident under
the influence of alcohol in early morning of October 16 [more on Korea times]
Kang-in only turned himself in six hours later, probably after consultation
with his company; both the artist and company have issued public apologies (to
the fans).
Apology WTF. He could have killed someone; luckily nobody was seriously hurt
in the accident. DUI was bad enough, and running away instead of checking the
victims? It’s a disgrace dude.
Ex Japanese
Prime Minister to voice Ultraman movie
Former
Japanese Prime Minister Junichiro Koizumi has found himself a new job… as a
voice actor for an upcoming live-action Ultraman movie.
The full title of the film is Giant Monster Battle: Ultra Galactic
Legend The Movie, to be precise lol.
Koizumi will lend his voice as the Ultraman King, an ancient Legendary Hero
in the Ultra family. The film will open in Japan on December 12.
Koizumi is one of the most of popular postwar Prime Ministers in Japan. He
retired in 2006, and the political arena has been in chaos ever since. The
current PM Yukio Hatoyama, amazingly, is Koizumi’s 4th successor in just over
three years.
[via Animenewsnetwork and Japanprobe]
Ex
Japanese Prime Minister to voice Ultraman movie from
Dr Do-Diddily and the Dee-Dot's Stories From Around The World ~ ~
The Magic Cap
THE goblins of Korea used to wear magic caps, called Horang Gamte, which had the power of rendering them invisible.
Now
there once lived a man who was most diligent in his worship of his
ancestors. He was always holding services to their memory, with lavish
offerings of delicious food and drink. One day, when he had held such a service, a group of goblins came to his house, and ate up all the good things set out on the altars. And on every following occasion they did the same. Of course they were invisible, for they wore their magic caps, and so the offerings just disappeared. The man was very gratified at first to see his offerings eaten, for it seemed to prove that his ancestors relished them. So he spent more and more money to provide even more lavish feasts until he was almost ruined.
At last his wife complained of his extravagance. 'There must be something wrong,' she said.
'The spirits
of our ancestors would never eat so much as to leave us almost ruined.
There must be thieves coming in and stealing them while we are occupied
with the ceremonial and bowing before the altar. In future I think we
ought to keep a careful watch.'
So
one night the husband hid behind a screen by the altar. He held a stout
cudgel in his hand. In the middle of the night he heard the sound of
whispering and of food being eaten. He peeped over the screen
and saw the food steadily disappearing from the dishes. Yet he could
see no one by the table. So all of a sudden he rushed out brandishing
his cudgel and rushed round the altar and into all the corners of the
room. Alarmed by his violent onslaught the goblins ran away, but the
man touched one Of them with his cudgel and knocked his cap off. When
the goblins had gone the man saw a red cap
lying on the floor, the like of which he had never seen before. He
picked it up curiously and put it on, and then began to shout 'Thief!
Thief!’
His wife
heard his shouts and came into the hall. But she could not see her
husband, though she could hear him beside her gasping breathlessly,
'The thief got away, but he left a very strange cap behind. See?' His
wife just stood there bewildered and said, 'But where are you, my dear?
I can't see you.' Her husband took her by the hand and said, 'I'm here.
What's the matter?' She felt him take hold of her, and tried to grasp
him. she chanced to knock off the cap which he had put on his head. No
sooner had it fallen to the floor than she saw him standing beside her.
She picked up
the cap and said, 'Is this the cap you mean?' It must have made you
invisible. So that's how the thief got in unnoticed. Let me try it.'
she put it on her head and immediately vanished. 'This must be Horang
Gamte, the magic cap. I'm sure of it!' she exclaimed. 'The thief was no
man, but a goblin.'
Having made this remarkable find they determined that they would
turn it to their profit. From that day on they went from house to house
in the village, stealing all that they could lay their hands on. Many
complaints were made to the authorities, but though a strict watch was
kept not a single clue could be found, so stealthily were the thefts
committed.
They
continued their activities for more than a year, and became very rich.
But one day the husband went to a jeweller's shop. It was not open yet,
so he waited by the door. In a little while the jeweller came along
and opened the door and the thief slipped in behind him. The jeweller
took his money from the safe and began to count it. While he was
counting it he was amazed to see the coins disappearing one by one. He
searched the whole shop, on the door, and in every corner, but could
find no trace of them. Then he looked up, and saw a piece of thread
moving slowly in the air. He grabbed it with his fingers, something
dropped on the floor, and there beside him he saw a man. The magic cap
was beginning to wear out, and a thread had come loose from one of the seams.
The jeweller
seized him with both hands, until he returned all the money he had
stolen and offered him the magic cap did he let him go. Then the
jeweller neglected his business and began himself to use the magic cap
as the other had done. One day in the harvest time he went to a rich
farmer's house, wearing the magic cap on his head.
The yard was
full of labourers threshing rice with flails. As he passed through the
yard to the house one of the flails knocked the cap off his head, and
it fell intatters to the ground. So he was discovered, and immediately
arrested.
He was
brought to trial, and the husband and wife as well. They were all
condemned to imprisonment, and shortly afterwards died in prison.
Ondoru Yawa, told by Zo Song-Gab; Onyang (I9I3). Korean Fairy Tales
Latest updates from YeinJee's Asian Journal
Keiko
Kitagawa plays swordswoman in new movie
Posted:
19 Oct 2009 10:49 AM PDT
Japanese actress Keiko Kitagawa is playing a swordswoman in her new movie
After the Flowers, which is scheduled to show in March 2010.
Don’t have much clue what the film is about; love its promotional pics for Keiko
though…
Read
the rest of this post » Keiko
Kitagawa plays swordswoman in new movie at
Korea Tourism Organisation is running series of online contests via its
Korea 100 Sparkles campaign, with USD30,000 prizes to give
away, and opportunities to meet some of the top Korean celebrities.
The big prizes require some creativity and work. Sharing here the easier one…
watch the video below, The 5 Most Popular Tourist Destinations in
Korea, and leave a comment on Youtube telling which place is your favourite and why.
Main prize is two round trip airline tickets to South Korea; contest ends on
November 10. Check out the video even if you are not interested with the
opportunity; pretty nice stuff…
Read the
rest of this post » Win free
airline tickets to South Korea
Thailand is known
as the land of smiles, and with good reason. The people of this
beautiful country offer a warm welcome and an exquisite sense of hospitality and style.
Over the years it has grown in stature and refinement and you can
find resorts and hotels to match the best in the world. Many visitors
come here for the beaches and they certainly don’t disappoint. The
islands and beaches of the south epitomise palm-fringed beauty, with
the Andaman Sea at its best through the UK winter and the Gulf of
Thailand bright and sunny for the rest of the year. But there’s much
more to discover.
The capital, Bangkok, is Southeast Asia’s major city, a fascinating,
frenetic place where life only slows in tranquil temples, quiet canals
and on the river that flows through its heart. In the north, hill tribe
communities still live in small wooden villages, tenaciously hanging on
to an age old culture and traditions. Ancient cities date back to
earlier Siamese civilisations, national parks are rich with tropical
flora and fauna and in small provincial towns you still find gentle
Buddhist temples hazed with incense smoke and lit by candles.
To travel to Thailand and see only the beaches is to miss a magical
and enthralling experience:
Southeast Asia’s spiritual giant.
From the Ramayana to the National Epic of Thailand
A scene from the Ramakien as depicted at Bangkok's Wat Phra Kaew. Note the distinctly Thai headgear, ceremonial umbrellas, etc.
The Ramayana, holy revered text of Hindus,
is believed by many archaeologists and historians to be a collection of
stories from Indian mythology concentrating on the work of the gods in
the lives of men, and was first written down, as legend states, in the
forests of India by Valmiki in the third century B.C. Hindus, however, believe that Rama
actually existed, and there are several holy sites in India that point
to the reality of Rama's existence, including his birth place, his
palace, and the route of his journey to Sri Lanka. Nevertheless, the
Ramayana came to Southeast Asia by means of Tamil Indian traders and scholars who traded with the Khmer kingdoms (such as Funan and Angkor) and Srivijaya, with whom the Indians shared close economic and cultural ties.
In the late first millennium, the epic was adopted by the Thai people. The oldest recordings of the early Sukhothai kingdom,
dating from the thirteenth century, include stories from the Ramayana
legends. The history of the legends was told in the shade theater
(Thai: หนัง, Nang), a shadow-puppet show in a style adopted from
Indonesia, in which the characters were portrayed by leather dolls
manipulated to cast shadows on a nearby screen while the spectators
watched from the other side.
The Thai version of the legends were first written down in eighteenth century, during the Ayutthaya kingdom,
following the demise of the Sukhothai government. Most editions,
however, were lost when the city of Ayutthaya was destroyed by armies
from Burma (modern Myanmar) in the year 1767.
The version recognized today was compiled in the kingdom of Siam
under the supervision of King Rama I (1736-1809), the founder of the
Chakri dynasty, which still maintains the throne of Thailand. Between
the years of 1797 and 1807, Rama I supervised the writing of the
well-known edition and even wrote parts of it. It was also under the
reign of Rama I that construction began on the Thai Grand Palace in Bangkok, which includes the grounds of the Wat Phra Kaew, the Temple of the Emerald Buddha. The walls of the Wat Phra Kaew are lavishly decorated with paintings representing stories from the Ramakien.
Rama II (1766-1824) further adapted his father's edition of the
Ramakien for the khon drama, a form of theater performed by
non-speaking Thai dancers with elaborate costumes and masks. Narrations
from the Ramakien were read by a chorus to one side of the stage. This
version differs slightly from the one compiled by Rama I, giving an
expanded role to Hanuman, the god-king of the apes, and adding a happy ending.
Since its introduction to the Thai people, the Ramakien has become a
firm component of the culture. The Ramakien of Rama I is considered one
of the masterpieces of the Thai literature. It is still read, and is
taught in the country's schools.