"THE RISING SUN" IS "JAPAN" Dr. Do-Diddily and the Dee Dot's WELCOME TO A FEW OF THE LOVELIEST RECIPES I HAVE TRIED. I AM NOT SURE ABOUT THE OCTOPUS, MAYBE IT WAS THE WAY MY DAUGHTER COOKED IT, THOUGH I MUST ADMIT IT LOOKED MORE LIKE CHICKEN THAN OCTOPUS,
If you
get stuck on any of the recipes, just click in the middle of the video
screen and it will take you through to the video made by Cook with the Dog,
inside his personal info at the right side of the video. There is also
quite a good bit of information on the different ingredients in the
English Wikepeadea on the net.
Dr do-diddily and the dee-dot's
外国語に訳された日本昔噺5
"Every cloud that spreads above and veileth love, itself is love."
Chin Chin Kobakama
Once there was a little girl who was very pretty, but also very
lazy. Her parents were rich, and had a great many servants; and these
servants were very fond of the little girl, and did everything for
her which she ought to have been able to do for herself. Perhaps this
was what made her so lazy. When she grew up into a beautiful woman,
she still remained lazy; but as the servants always dressed and
undressed her, and arranged her hair, she looked very charming, and
nobody thought about her faults.
At last she was married to a brave warrior, and went away with him
to live in another house where there were but few servants. She was
sorry not to have as many servants as she had had at home, because
she was obliged to do several things for herself, which other folks
had always done for her. It was such trouble to her to dress herself,
and take care of her own clothes, and keep herself looking neat and
pretty to please her husband. But as he was a warrior, and often had
to be far away from home with the army, she could sometimes be just
as lazy as she wished. Her husband's parents were very old and
good-natured, and never scolded her.
Well, one night while her hushand was away with the army, she was
awakened by queer little noises in her room. By the light of a big
paper-lantern she could see very well; and she saw strange things.
What?
Hundreds of little men, dressed just like Japanese warriors, but
only about one inch high, were dancing all around her pillow. They
wore the same kind of dress her husband wore on
holidays,--(Kamishimo, a long robe with square shoulders),--and their
hair was tied up in knots, and each wore two tiny swords. They all
looked at her as they danced, and laughed, and they all sang the same
song, over and over again,--
"Chin-chin Kobakama.
Yomo fukasoro,--
Oshizumare, Hime-gimi!--
Ya ton ton!"--
Which meant:--"We are the Chin-chin Kobakama:--he hour is
late;--Sleep, honorable noble darling!"
The words seemed very polite; but she soon saw that the little men
were only making cruel fun of her. They also made ugly faces at
her.
She tried to catch some of them; but they jumped about so quickly
that she could not. Then she tried to drive them away; but they would
not go, and they never stopped singing "Chin-chin Kobakama, ... ."
and laughing at her. Then she knew they were little fairies, and
became so frightened that she could not even cry out. They danced
around her until morning;--then they all vanished suddenly.
She was ashamed to tell anybody what had happened--because, as she
was the wife of a warrior, she did not wish anybody to know how
frightened she had been.
Next night, again the little men came and danced, and they came
also the night after that, and every night--always at the same hour,
which the old Japanese used to call the "Hour of the Ox:" that is,
about two o'clock in the morning by our time. At last she became very
sick, through want of sleep and through fright. But the little men
would not leave her alone.
When her husband came back home, he was very sorry to find her
sick in bed. At first she was afraid to tell him what had made her
ill, for fear that he would laugh at her. But he was so kind, and
coaxed her so gently, hat after a while she told him what happened
every night.
He did not laugh at her at all, but looked very serious for a
time. Then he asked:--"At what time do they come?" She
ansvered:--"Always at the same hour--the 'Hour of the Ox."
"Very well," said her husband,--"to-night I shall hide and watch
for them. Do not be frightened."
So that night the warrior hid himself in a closet in the sleeping
room, and kept watch through a chink between the sliding doors.
He waited and watched until the "Hour of the Ox." Then, all at
once, the little men came up through the mats, and began their dance
and their song:--
"Chin-chin Kobakama.
Yomo fuk Soro......"
They looked so queer, and danced in such a funny way, that the
warrior could scarcely keep from laughing. But he saw his young
wife's frightened face; and then remembering that nearly all Japanese
ghosts and goblins are afraid of a sword, he drew his blade, and
rushed out of the closet, and struck at the little dancers.
Immediately they all turned into--what do you think?
Toothpicks!
There were no more little warriors--only a lot of old toothpicks
scattered over the mats.
The young wife had been too lazy to put her toothpicks away
properly; and every day, after having used a new toothpick, she would
stick it down between the mats on the floor, to get rid of it. So the
little fairies who take care of the floor-mats became angry with her,
and tormented her.
Her mother one night sat up to watch, and saw them, and struck at
them,--and they all turned into plumstones! So the naughtiness of
that little girl was found out. After that she became a very good
girl indeed.
There is also a story told about a lazy little girl, who used to
eat plums, and afterward hide the plum-stones between the flor-mats.
For a long time she was able to do this without being
found out. But
at last the fairies got angry and punished her.
For every night, tiny, tiny women--all wearing bright red robes
with very long sleves,--rose up from the floor at the same hour, and
danced, and made faces at her and prevented her from sleeping.
Her husband scolded her, and she was so ashamed that she did not
know what to do. A servant was called, and the toothpicks were taken
away and burned. After that the little men never came back again.
THE END
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Dr. Do-Diddily and the Dee Dot's Little Peachling.
"I have copied this from the lovely Wikipaedia again, I do love this online encyclopeadia, wonderful. And so what is it about. Only this fabulous shoppin area on line in Japan. so I will just let you go woander round and enjoy yourselves. Hey don't forget to come back !"
Rilakkuma (リラックマ; a combination of the Japanese pronunciation of relax and the word for bear) is a
"JapaneseSan-X
company."
Rilakkuma debuted in 2003. All that is known about Rilakkuma's
back story is that one day he appeared in the apartment of an office
worker named Kaoru. Rilakkuma wears brown bear
suits. In picture books Rilakkuma is frequently seen sitting around
waiting for suits that look exactly like him to dry on the clothes
line. When Rilakkuma's mysterious zipper located on his back is opened,
you can see parts of a light blue polka dot pattern. When he has his
bear costume off he is always wearing a spare costume. True to his
name, Rilakkuma greatly enjoys relaxing. This includes sleeping, laying
around, watching tv, and soaking in hot springs.
[1] He loves using Kaoru's yellow bean bag pillow.
[2] He is often accompanied by Korilakkuma, who is a smaller white bear with a mischievous personality, and Kiiroitori, a yellow chick who plays a tsukkomi
role (considered to be the smarter, more logical one who criticizes
others for making mistakes). Kiiroitori is basically the opposite of
Rilakkuma because of the bird's hard-working nature and love of cleaning.
[1] Kiiroitori is Kaoru's bird. Kiiroitori is always nagging Rilakkuma on how lazy he is.
[2]music. He loves being a troublemaker.
[2] Rilakkuma's favorite foods include mochi, pancakes, dumplings, flan, and doughnuts. Rilakkuma once lied to Kiiroitori and Korilakkuma by telling them his ears were made out of castella. They then proceeded to bite his ears.
[3]A character produced by the
Korilakkuma frequently plays pranks on Rilakkuma whilst he is sleeping,
such as drawing on him, putting headphones on him and sewing odd color
patches on his bear suits. Because Korilakkuma is still a child, he
doesn't know how to speak very well but can often be found copying what
Rilakkuma is saying. It is not known where Korilakkuma came from, he
just seemed to appear. Korilakkuma also loves
Not all of these little films are from Rilakkuma, they all seem very short and the same so there are a few more as well. xxx Dr Do-Diddily. xxx
The San-X company puts staff members under obligation to create one cute character per month. Aki Kondo (also the creater of Okutan to Dannachan) saw a TV show about dogs.
She wished to own a pet because at that time she was very busy working
and hoped for a more relaxing life. Rilakkuma is an embodiment of her
wish.
I don't think Rilakkuma World is connected to San X,
it is just someone Blog! I think.
[4]
In July 2009, Bandai released an exclusive edition of Rilakkuma-themed notebook computers.
Dr. Do-Diddily and the Dee-Dot's
Little Peachling
MANY hundred years ago there lived an honest old
wood-cutter and his wife. One fine morning the old man went off to the
hills with his billhook, to gather a faggot of sticks, while his wife
went down to the river to wash the dirty clothes. When she came to the
river, she saw a peach floating down the stream; so she picked it up,
and carried it home with her, thinking to give it to her husband to eat
when he should come in. The old man soon came down from the hills, and
the good wife set the peach before him, when, just as she was inviting
him to eat it, the fruit split in two, and a little puling baby was born
into the world. So the old couple took the babe, and brought it up as
their own; and, because it had been born in a peach, they called it Momotarô, or Little
Peachling.
By degrees Little Peachling grew up to be strong and brave,
and at last one day he said to his old foster-parents—
"I am going to the ogres' island to carry off the riches
that they have stored up there. Pray, then, make me some millet dumplings
for my journey."
So the old folks ground the millet, and made the dumplings
for him; and Little Peachling, after taking an affectionate leave of them,
cheerfully set out on his travels.
As he was journeying on, he fell in with an ape, who gibbered
at him, and said, "Kia! kia! kia! where are you off to, Little Peachling?"
"I'm going to the ogres' island, to carry off their treasure,"
answered Little Peachling.
"What are you carrying at your girdle?"
"I'm carrying the very best millet dumplings in all Japan."
"If you'll give me one, I will go with you," said the
ape.
So Little Peachling gave one of his dumplings to the ape,
who received it and followed him. When he had gone a little further, he
heard a pheasant calling—
"Ken! ken! ken! where
are you off to, Master Peachling?"
Little Peachling answered as before; and the pheasant,
having begged and obtained a millet dumpling, entered his service, and
followed him. A little while after this, they met a dog, who cried—
"Bow! wow! wow! whither away, Master Peachling?"
"I'm going off to the ogres' island, to carry off their
treasure."
"If you will give me one of those nice millet dumplings
of yours, I will go with you," said the dog.
"With all my heart," said Little Peachling. So he went
on his way, with the ape, the pheasant, and the dog following after him.
When they got to the ogres' island, the pheasant flew
over the castle gate, and the ape clambered over the castle wall, while
Little Peachling, leading the dog, forced in the gate, and got into the
castle. Then they did battle with the ogres, and put them to flight, and
took their king prisoner. So all the ogres did homage to Little Peachling,
and brought out the treasures which they had laid up. There were caps
and coats that made their wearers invisible, jewels which governed the
ebb and flow of the tide, coral, musk, emeralds, amber, and tortoiseshell,
besides gold and silver. All these were laid before Little Peachling by
the conquered ogres.
So Little Peachling went home laden with riches, and maintained
his foster-parents in peace and plenty for the remainder of their lives.
Dr Do-Diddily and the Dee - Dot's
The Boy who loved to Draw Cats
A LONG, long time ago, in a small
country-village in Japan, there lived a poor farmer and his wife, who
were very good people. They had a number of children, and found it very
hard to feed them all. The elder son was strong enough when only fourteen
years old to help his father; and the little girls learned to help their;
mother almost as soon as they could walk.
But the youngest child, a little boy, did not seem to
be fit for hard work. He was very clever,-cleverer than all his brothers
and sisters; but he was quite weak and small, and people said he could
never grow very big. So his parents thought it would be better for him
to become a priest than to become a farmer. They took him with them to
the village-temple one day, and asked the good old priest who lived there,
if he would have their little boy for his acolyte, and teach him all that
a priest ought to know.
The old man spoke kindly to the lad, and asked him some
hard questions. So clever were the answers that the priest agreed to take
the little fellow into the temple as an acolyte, and to educate him for
the priest hood.
The boy learned quickly what the old priest taught him,
and was very obedient in most things. But he had one fault. He liked to
draw cats during study-hours, and to draw cats even where cats ought not
to have been drawn at all.
Whenever he found himself alone, he drew cats. He drew
them on the margins of the priest's books, and on all the screens of the
temple, and on the walls, and on the pillars. Several times the priest
told him this was not right; but he did not stop drawing cats. He drew
them because he could not really help it. He had what is called "the
genius of an artist," and just for that reason he was not quite fit
to be an acolyte;-a good acolyte should study books.
One day after he had drawn some very clever pictures of
cats upon a paper screen, the old priest said to him severely: "My
boy, you must go away from this temple at once. You will never make a
good priest, but per haps you will become a great artist. Now let me give
you a last piece of advice, and be sure you never forget it. Avoid large
places at night;-keep to small!"
The boy did not know what the priest meant by saying,
"Avoid large places;-keep to small." He thought and thought,
while he was tying up his little bundle of clothes to go away; but he
could not understand those words, and he was afraid to speak to the priest
any more, except to say good-by.
He left the temple very sorrowfully, and began to wonder
what he should do. If he went
straight home he felt sure his father would
punish him for having been disobedient to the priest: so he was afraid
to go home. All at once he remembered that at the next village, twelve
miles away, there was a very big temple. He had heard there were several
priests at that temple; and he made up his mind to go to them and ask
them to take him for their acolyte.
Now that big temple was closed up but the boy did not know this fact.
The reason it had been closed up was that a goblin had frightened the
priests away, and had taken possession of the place. Some brave warriors
had afterward gone to the temple at night to kill the goblin; but they
had never been seen alive again. Nobody had ever told these things to
the boy;-so he walked all the way to the village hoping to be kindly treated
by the priests!
When he got to the village it was already dark, and all
the people were in bed, but he saw the big temple on a hill at the other
end of the principal street, and he saw there was a light in the temple.
People who tell the story say the goblin used to make that light, in order
to tempt lonely travelers to ask for shelter. The boy went at once to
the temple, and knocked. There was no sound inside. He knocked and knocked
again; but still nobody came. At last he pushed gently at the door, and
was quite glad to find that it had not been fastened.
So he went in, and
saw a lamp burning,-but no priest.
He thought some priest would be sure to come very soon,
and he sat down and waited. Then he noticed that everything in the temple
was gray with dust, and thickly spun over with cobwebs. So he thought
to him self that the priests would certainly like to have an acolyte,
to keep the place clean. He wondered why they had allowed everything to
get so dusty. What most pleased him, however, were some big white screens,
good to paint cats upon. Though he was tired, he looked at once for a
writing-box, and found one, and ground some ink, and began to paint cats.
He painted a great many cats upon the screens; and then
he began to feel very, very sleepy. He was just on the point of lying
down to sleep beside one of the screens, when he suddenly remembered the
words, "Avoid large places;-keep to small!"
The temple was very large; he was all alone; and as he
thought of these words,-though he could not quite understand them-he began
to feel for the first time a little afraid; and he resolved to look for
a small place in which to sleep. He found a little cabinet, with a sliding
door, and went into it, and shut himself up. Then he lay down and fell
fast asleep.
Very late in the night he was awakened by a most terrible
noise,-a noise of fighting and screaming. It was so dreadful that he was
afraid even to look through a chink of the little cabinet: he lay very
still, holding his breath for fright.
The light that had been in the temple went out; but the
awful sounds continued, and became more awful, and all the temple shook.
After a long time silence came; but the boy was still afraid to move.
He did not move until the light of the morning sun shone into the cabinet
through the chinks of the little door.
Then he got out of his hiding-place very cautiously, and
looked about. The first thing he saw was that all the floor of the temple
was covered with blood. And then he saw, lying dead in the middle of it,
an enormous, monstrous rat,-a goblin-rat,-bigger than a cow!
But who or what could have killed it? There was no man
or other creature to be seen. Suddenly the boy observed that the mouths
of all the cats he had drawn the night before, were red and wet with blood.
Then he knew that the goblin had been killed by the cats which he had
drawn. And then also, for the first time, he understood why the wise old
priest had said to him, "Avoid large places at night;-keep to small."
Afterward that boy became a very famous artist. Some of
the cats which he drew are still shown to travellers in Japan.
I am not sure if any of you have ever seen the wonderful films of Studio Ghibli. Unfortunately you can't download them nor can anyone else they are much to precious and like Disney only limited films of the Studio make their way to the Television. Everyone of them are brilliant, though some, i.e. The Grave of the Fireflies, are not suitable for younger children. As with all my playlists I always stress that adults look through the films I suggest first because not every one has the same taste. These are just the trailers of some of the Ghibli films. Totoro, all my grandchildren adore, as well as Weeping Camel, Cave of the Yellow Dog, Kiri's Delivery Service, all of them really. Enjoy xx Dr. Do-Diddily.
dr. do-diddily and the dee-dot's
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This mixture is of asian origin, mainly Japanese but there my be a few odd one about. I love Kat Tun, I find their music and beat brilliant, and the lads are nice looking too.
THE MOON MAID
It was towards the end of a dreary day's work. Old Miyakko, the bamboo
cutter, was toiling on with his mind full of poverty and the coming
winter. All at once he saw a silver light shining among the reeds. He
bent down and saw a little girl about four inches long. She was alive,
and glowed like a diamond.
The old man gathered the little creature up and ran home, with a pounding heart. He
was so afraid his wife wouldn't let him keep the child! But she too,
fell in love with the tiny, helpless thing. They christened her Kaguya,
and we had better call her that for the English version is
'Precious-Slender-Bamboo-of-the-Field-of-Autumn.'
Now
every time the old man went to work he found gold among the reeds, and
in a few days he was a very rich man. Meanwhile Kaguya grew at an
amazing rate. In three months' time she was quite grown up, and so
beautiful that it made the heart stand still to look at her. She was as
graceful as an emperor's daughter, and as gentle as a child. The old
bamboo cutter loved her devotedly. Very soon the tale of Lady Kaguya's beauty drew a crowd of suitors
to the house, but she begged her father to tell them all she would
never marry, and she wished to live in retirement with her parents. At
this most of her suitors had the good taste to withdraw, but four
remained obstinate. They spent the whole day waiting to catch a glimpse
of the damsel, and the whole night in serenading her. The home life of
poor Miyakko was completely ruined. "I will rid you of them," said the Lady Kaguya at last. "Tell the noblemen that I will wed the one who first brings me back what I bid him. Let Prince Ishizukuri go to India
and bring back the bowl that the Buddha used. Let Prince Kuramochi go
across the Eastern ocean and bring from the mountain Horai a branch of
the tree whose roots are silver, whose trunk is gold, and whose fruits
are of jade. Let the Dainagon bring me a robe made of the flame proof
rat's pelt which comes from Morokoshi. Let the Chinnagon bring me the
rainbow coloured jewel which is hidden in the sea dragon's head."
When this message was delivered the four men eagerly promised to do
these little errands, and went away. All four shut themselves up at
home and spread rumours that they had started off on their travels. When three years were up Ishizukuri bought an old stone bowl and took it to the Lady Kaguya. "Ah, lady," he cried, "What years of hardship, peril, and sorrow it has cost me! But now I feel as though all my labours had been a dream!" "The Lady Kaguya replied: "A holy light shines from the Buddha's bowl. Look there is no light here!" "What could shine beside your beauty? Who sees a star when the Sun is up?" said the prince: but the Lady Kaguya was unmoved. Then in came Kuramochi with a golden branch hung with fruit of jade. The
Lady Kaguya turned pale at the sight of it and listened sadly to the
prince's description of his travels. He said he had found the tree in
the forest of jewel-laden bushes by a stream whose waters were blue and
gold. But he was interrupted by the entrance of five jewellers who
demanded payment for their work. Kaguya laughed, and gave the workmen
twice what they asked in her joy of escaping. Next the Dainagon came in with a wonderful fur robe, it was green tipped with gold, and he
had bought it from a merchant who swore it was made from the pelt of
the flame proof rat. But no sooner did Kaguya throw it on the fire than
it burned like any ordinary fur. The Chinnagon never returned.
He sent his servants out in a ship to look for the jewel in the
sea-dragons head. Time passed without news and at length he decided to
set sail himself. but a furious storm arose. He became very sick and
very frightened. "Oh noble, honourable, beautiful Sea Dragon." he cried, "do not lash the waters into tempest! I swear I will never touch your jewel!" His ship was driven ashore. The Chinnagon tottered and fell on the sand, wailing that he was wrecked on a desert island. At length his servants made him understand that he was quite near home and he crept back there, cured of his love.
Now when the Mikado heard of Kaguya's extraordinary loveliness, and he
sent a message to Miyakko bidding him send his daughter to court. But
Kaguya wept and refused to go. She was afraid. She cried; she besought
her father not to send her there. So the old man went to the Mikado
himself, and besought him to forgive his child's disobedience. "Try to persuade her to come," said the Emperor, "and I will make you a Nobleman". But
nothing would move Kaguya. Her parents and her garden where all she
wanted to make her happy. The Mikado's curiosity was aroused, so he
arranged a royal hunt which
would take them close to Miyakko's house. Entering suddenly he met a
girl of unearthly beauty. He offered her his love, but she refused it
weeping and trembling. Then he ordered his men to carry her off by
force. But all at once she became invisible. It was now the Mikado's turn to be frightened, and after asking her forgiveness he rode away.
For a few more years Miyakko, his wife, and their adopted child lived
happily together; then a change came over Kaguya. She was continually
thoughtful and sometimes she wept. The moon was waning, and she seemed
to wane with it. At length she came to the old man and hiding her tears
on his shoulder, she said:
"O father, I must leave you
before long! At the next full moon they will come to fetch me. I am a
Moon-maiden, dear father, and for a fault I committed, I was sent to
Earth. But the place of my exile has grown dear to me, and I love you
tenderly!" The old man hastened to the Mikado, who sent soldiers to guard the house, even though Kaguya told him it was useless.
The night of the full moon came. The starlight made it almost as bright
as day. A little after midnight a cloud appeared. It drew closer. A
company of shining people stood upon it, surrounding a palaquin hung
with curtains. Most
of the soldiers fled in horror, but some shot their arrows at the
invaders but the shafts fell back to the earth. The palaquin hovered
closer and closer to the house, the outer lattice work and then the
door flew back to reveal Kaguya, with her women huddled about her, and
Miyakko helpless besides her. "Come forth Kaguya," cried a voice
from inside the car. "It is time!" Kaguya clung to her father, but at
the second calling she went forward, crying bitterly. One of the
messengers gave her a cup of the Elixir of Life. She drank some and
tried to give some to her father, but she was stopped. Then just before
they were to take her away she was allowed to embrace her mother and
father one last time. Going back to the palaquin she was immediately
wrapped in a feathered cloak of forgetfulness, and as the cloud drifted
upwards so the Child of the Earth once more became a Child of Night
again. Miyakko and his wife never forgot their beautiful Kaguya, but
before Kaguya had left their world, her years were forgotten, taken
away by the cloak of feathers.
Little Peachling
The old man spoke kindly to the lad, and asked him some
hard questions. So clever were the answers that the priest agreed to take
the little fellow into the temple as an acolyte, and to educate him for
the priest hood.
re was no man
or other creature to be seen. Suddenly the boy observed that the mouths
of all the cats he had drawn the night before, were red and wet with blood.
Then he knew that the goblin had been killed by the cats which he had
drawn. And then also, for the first time, he understood why the wise old
priest had said to him, "Avoid large places at night;-keep to small."
dly.
Kaguya. 
he
had bought it from a merchant who swore it was made from the pelt of
the flame proof rat. But no sooner did Kaguya throw it on the fire than
it burned like any ordinary fur.
would take them close to Miyakko's house. Entering suddenly he met a
girl of unearthly beauty. He offered her his love, but she refused it
weeping and trembling. Then he ordered his men to carry her off by
force. But all at once she became invisible.
Most
of the soldiers fled in horror, but some shot their arrows at the
invaders but the shafts fell back to the earth. The palaquin hovered
closer and closer to the house, the outer lattice work and then the
door flew back to reveal Kaguya, with her women huddled about her, and
Miyakko helpless besides her.